Jumat, 02 November 2012

The Master of Disguise

The Master of Disguise: My Secret Life in the CIA





From the author of Argo comes an unforgettable behind-the-scenes story of espionage in action. In the first ever memoir by a top-level operative to be authorized by the CIA, Antonio J. Mendez reveals the cunning tricks and insights that helped save hundreds from deadly situations.

Adept at creating new identities for anyone, anywhere, Mendez was involved in operations all over the world, from “Wild West” adventures in East Asia to Cold War intrigue in Moscow. In 1980, he orchestrated the escape of six Americans from a hostage situation in revolutionary Tehran, Iran. This extraordinary operation inspired the movie Argo, directed by and starring Ben Affleck.

The Master of Disguise gives us a privileged look at what really happens at the highest levels of international espionage: in the field, undercover, and behind closed doors.

The problem with memoirs by ex-secret agents is that they usually make their careers sound about as exciting as that of -an-hour bowling alley security guard, unless you're of the opinion that filing papers and making phone calls is the epitome of thrills. Antonio Mendez, however, has produced a tome that makes the life of a CIA agent sound every bit the slam-bang world of intrigue and skulking in the shadows that movies like Mission: Impossible make it out to be.

Honored by the CIA on its 50th anniversary as being one of the agency's 50 "Trailblazers," the now-retired Mendez spins a fast-paced tale of intriguing characters partaking in skullduggery in exotic locales, made all the more appealing because Mendez himself is the featured star of the proceedings. In an almost offhand manner, he writes about seeing and doing things that would wilt the flower of courage in almost any reader. "Was I proud to be enlisting," he rhetorically ponders at one point, "on our side in the Cold War? You bet." Originally drafted by the CIA as a "technical artist" to provide cover for agents behind enemy lines, Mendez worked his way up the ladder and progressed to a full-fledged agent in the field, sneaking diplomats past enemy guards and spiriting informants into the night, eluding capture and torture at every turn--and using his artist's eye for detail to paint vivid word pictures of his predicaments. Mendez possesses a remarkably keen sense of the mechanics of a good cloak-and-dagger story, and fortunately pours it on in abundance here in his quite hefty--and surprisingly lively--autobiography. --Tjames Madison


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