Following from Jo Nesbø's electrifying international best-sellers The Snowman and The Leopard, now comes Phantom, which plunges the brilliant, deeply troubled, now former police officer Harry Hole into a full-tilt investigation on which his own tenuous future will come to depend.
When Harry left Oslo again for Hong Kong—fleeing the traumas of life as a cop—he thought he was there for good. But then the unthinkable happened. The son of the woman he loved, lost, and still loves is arrested for murder: Oleg, the boy Harry helped raise but couldn't help deserting when he fled. Harry has come back to prove that Oleg is not a killer. Barred from rejoining the police force, he sets out on a solitary, increasingly dangerous investigation that takes him deep into the world of the most virulent drug to ever hit the streets of Oslo (and the careers of some of the city's highest officials), and into the maze of his own past, where he will find the wrenching truth that finally matters to Oleg, and to himself.
Amazon Exclusive: An Essay by Jo Nesbø on Harry Hole
It is not easy to summarize the protagonist of the series in a few words, but here are some features of Harry’s personality that are important to me when I write about him: he’s the type of guy who is driven by his good side as well as his darker side. At times he believes in his role as law enforcer, at other times he doesn’t. And occasionally he is so gripped by his emotions that they overwhelm his basic belief in the principles of a state governed by law. He hunts down criminals with such an intense hatred and finds revenge so hard to resist that at times he could be mistaken for the antagonists he is fighting. But at the same time he can feel empathy for, perhaps even a kinship with, the lawbreaker. Harry Hole is a hero with pronounced weaknesses. All interesting heroes have an Achilles heel, and in Harry’s case, it is alcohol.
Harry feels something akin to what the serial killer feels, the same tension and excitement, when he approaches a victim and the same anti-climax after the killer is caught. It is Harry’s ambition to understand both love and evil. He is a passionate guy in all ways. And he is the type of man who has difficulties controlling his impulses. The fact that he cannot set limits permeates his drinking habits and his attitude to his job. He takes on cases and is swallowed up by them. It is the same with his relationships with women. I could have chosen to make Harry and Rakel live happily ever after and have children, but then we have a completely different person. I like the fact that he is in transit in his own life, as far as his emotions and his job are concerned. I'm often asked how much Harry and I have in common. I won't answer that in detail, but when you make a person a hero, as a writer you are bound to have at least a basic set of values, a goal, a need or a longing that you can relate to.